A first system to obliterate your right foot
It all started with…
This thing 👇. I remember hearing it for the first time and thinking no way he’s doing those 3-hits run with his right foot only.
Maybe he is, maybe he’s not. I’d like to think he is, and that’s what this system is all about.
A first try at writing systems
With that inspiration in mind, I developed a system to break down and practice this. If you haven’t read Drumming with a set of constraints. Do that. If you have, I’m proud to show you the first system. The way I notate this is surely going to evolve, but for now, let’s start simple:
In plain text
Here are the conditions of this system:
- Right hand gives a constant beat: 8th or quarter notes on a sizzling hi-hat or a ride cymbal.
- Left hand and right foot combined make a continuous flow of 16th notes.
- But they are never played together.
- The continuous flow must alternate between A/B/C and D/E.
- A bar must contain at least C and E once. Those are essential to the feeling in Big.
- Left foot is not necessary, but if you want to increase CPU usage, always play quarter or eight notes
Files
Thinking about those 6 points while playing sounds more complicated than necessary. In the end, I want to lock into the feel itself, even if I sometimes deviate a little from what the systems asks for. I’ll talk more on those deviations or violations later btw
😱
. In order to practice the system, here’s a long list of “valid” sequences for your left hand and right foot 👇. Since ternary is like leg day for workout people, I also added a ternary version. Never skip leg day ternary.